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Lyrics
(Enrgy made this one)Fuck, shit, man
Stop saying free me, I got out the next day, man
That’s a broke problem, I was not sitting in that bitch
ShittyBoyz, Dog $hit Militia
They caught me out in Nebraska with a controlled substance
Innocent until I’m proven guilty, I don’t know nothing
Couldn’t stop the road running, hit Milwaukee next day
Certified just showed me how to break a brick, we senseis
Worried if I’m locked up? Make sure that your rent paid
All my mans around me fresh like next year we in tenth grade
Must’ve hear I signed the spot-up shooter to a ten-day
Tried to be heroic, now he Tony Stark in Endgame
It ain’t shit to say, gon’ let my lawyer talk
Spot still banging down the way, you need lawyer-
Told the cops that they some workers, can’t employ a boss
Triceps in my glasses, you would think it’s ‘roids I’m off
They say I got a founding father name, my pocket full of ’em
My cuddy in the kitchen with some chickens, gnawing and cooking ’em
It’s belt to ass season, if I spot an opp, we whooping ’em
Medusa did the chains, gon’ be stone if you stop and look at ’em
Out on bond, out on bond, shit, I’m out on bond
Hunnid shots, two hunnid shots for all y’all tried to clown on Tron
King of the galaxy like come on, time to crown the Don
All the buckets that I dropped, I’m on the list around LeBron
Out on bond, out on bond, shit, I’m out on bond
Shit, I call the shots, left the county, hit the mall to shop
Tried to count me out, the calculator said you all to stop
I’m out on bond, riding with the Drac’, ducking law, I’m hot
Tweaking with the prices, type of shit to get the plug dropped
Caught a hater out, I’m finna take my second mugshot
Caught a hater out, I’m finna take my second mugshot
Hip-hop has long been an aural canvas for artists to paint their realities, struggles, and triumphs, often weaving intricate narratives that are both personal and universal. Babytron’s ‘Out On Bond’ emerges as a prime example of this tradition, as it presents a visceral picture of the rapper’s challenges with the legal system. It’s not just a track; it’s a testament to the trials and resilience of an artist in the face of adversity.
Beyond the bravado and aggressive cadence lies a deeper narrative that encapsulates a raw look at the consequences of one’s actions, the pursuit of freedom, and an unfiltered glimpse into Babytron’s mindset during a turbulent period. Each line serves as a brush stroke, contributing to a larger story that resonates with many who feel unheard and misunderstood.
Nebraska Nights: A Brush with the Legal System
Opening with an unexpected geolocation, ‘They caught me out in Nebraska with a controlled substance,’ Babytron isn’t just setting up a scene; he’s laying down the groundwork for a dialogue on the omnipresence of legal battles for those in the spotlight. There’s a juxtaposition at play here — an artist versus an unforgiving system, scrutiny versus artistry.
There’s purposeful ambiguity in his assertion of innocence and a subtle critique of the presumption of guilt that often shadows those from certain backgrounds making their way into the industry. Babytron’s experience with the law unravels a commentary on the discrepancies within the justice system and its impacts on the individual.
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The lyrics, ‘Certified just showed me how to break a brick, we senseis,’ offer more than a peek into Babytron’s hustle; they unfold a narrative of mentorship and the passing down of street-smart wisdom. This line depicts a lineage of survival strategies in a world where traditional paths to success are often barricaded.
In painting himself and his mentor as senseis, Babytron is drawing a parallel to martial arts masters, suggesting that their knowledge and tactics are a form of defense and empowerment in navigating life’s challenges, much like how a martial artist masters the discipline to overcome obstacles.
The Hidden Meaning: Every King Has His Crown
One could easily mistake Babytron’s reference to himself as a monarch—’King of the galaxy like come on, time to crown the Don’—as mere boastfulness. But this is a clever nod to his drive, and an affirmation of his self-worth and aspirations. The coronation is both metaphorical and literal, a symbol of achieving supremacy in his domain despite the setbacks.
Furthermore, the ‘galaxy’ isn’t just his sphere of influence but represents the vastness of his ambitions. Babytron is not just participating in the hip-hop game; he’s strategizing to reign over it, to expand his reach beyond his immediate surroundings and touch the stars.
Memorable Lines: Metaphorical Mastery and the Mask of Confidence
‘Tried to be heroic, now he Tony Stark in Endgame,’ stands out as a culturally resonant line, reflecting Babytron’s ability to convey demise through a widely understood narrative. It’s also a grim reminder of the stakes at play, where heroism can lead to a fall, echoing the consequences of challenging a figure like Babytron whose authority is newly reinstated with posting bond.
‘Medusa did the chains, gon’ be stone if you stop and look at ’em,’ is another striking piece of symbology. The line is rich with mythical imagery, suggesting that Babytron’s success and the fruits thereof are so imposing that they might as well turn others to stone—much like Medusa’s gaze. This is a bold proclamation of the rapper’s hard-earned status and a warning to those who might envy it.
The Bond Beyond Bars: Freedom’s Fragile State
Inherent in the chorus, ‘Out on bond, out on bond, shit, I’m out on bond,’ is the celebration of temporary freedom, but also the precariousness of it—knowing that one’s liberty hangs by the slender thread of legal processes. It serves as an anchor for the song, a refrain that captures the essence of the title and the track.
Babytron might be physically out of confinement, but the song suggests a mental and emotional toll that continues to haunt. It’s not just about being out on bond; it’s about the struggle to remain free in a system that’s quick to incarcerate and slow to rehabilitate. This track reiterates themes of survival, self-sovereignty, and the continuous battle for a liberated existence.
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